December 15, 2009

Poker Brought Out of Smoky Dens by Canines

Cassius Marcellus Coolidge, an instantly recognizable commercial painter who has given the world the series of Dogs Playing Poker, was born in 1844, into a family of abolitionist Quaker farmers and was named after one of the most eloquent orators against slavery, nicknamed (with provisional anthropomorphism) “The Lion of White Hall.” Nicknamed “Cash” by friends and kin, he had no official training whatsoever, but was very active, publishing drawings in papers before he was 20.

The paintings along one of his favorite themes, mastiffs and Saint Bernards engaged in the activities normally attributed to humans, began with a commission in 1903. Well-bred and well-behaved dogs drink alcoholic libations, smoke cigars and pipes, and play five-card draw poker in nine out of sixteen of the paintings. Generally they are pictured as furry masculine types in fur coats or warm suits sitting around a table in a cozy room with the only source of light being a lamp above the table.

These proper members of the well-to-do bourgeoisie seem to be well mannered gentlemen, if not altogether tame, definitely a cultured lot. Think of Sergio Leone’s movie Once Upon a Time in America, the pictures are roughly of the same era. But the focus of the paintings that Coolidge gives us is not the one of greed and violence as in the underground clubs depicted in the movie. Instead, his poker games emerge from the murky criminal underworld into a decent society where the club members play poker, if not entirely for fun, for only a few cents, smoke a little tobacco and tipple just a bit behind their wives backs. Poker was no more a way to make money quickly and dangerously. It was becoming wholesome entertainment for the majority of American men.

Respected members of society as early as 1875 gathered at large nocturnal poker sessions. Poker Chips was one of the publications dedicated to the game and most periodicals of the time included articles on poker in their content. Standard rules for playing draw-poker were unified and distributed among all the poker clubs beginning at the turn of the century. This was a first. It was even reported that baseball had lost its status as the national game.

Gradually, unrelated to any criminal associations, the ability to play poker and the ability to wield a gun became the staple talents of any real man. Men who played good poker were usually likewise good soldiers, good sheriffs, and good politicians. In the spring of 1918, in Europe, the game was the most popular mode of entertainment among Harry Truman and his two million troops. Truman perfected his draw and stud poker as an artillery officer. When the peace treaty was signed, waiting to be shipped home, he and his combat friends spent the time at endless games of poker which they continued even after arrival home.

At that time, the prevailing view was to equate the ability to take risks at the table, to bet big, play smart, and bluff, (profitably, of course!) to the ability to survive in battle, in dangerous occupations like law enforcement, or do any job requiring a good brain and strong muscles.

Our boy, Cash Coolidge, was surrounded with plenty of opportunity to observe the types, the apparel and the game room ambiance of the basement clubs where games were regularly played. By adding his vivid, imaginative anthropomorphic humor to it all, he replicated very creatively the demeanor of the middle class engaged happily in a game that was at that time at least 200 years old.

The author is a successful limit cash game player. He plays poker and receives Rakeback at Poker Kings from Rakeback Solution.

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